Catherine Zeta-Jones movies in order
Catherine Zeta-Jones’s documented movie chronology begins with early screen credits in the 1990s and includes major films such as The Mask of Zorro, Entrapment, Chicago, Ocean’s Twelve, Side Effects and Dad’s Army.
The list below is arranged by release year. It focuses on film titles identified in the available filmography evidence rather than claiming to be a definitive, exhaustive list of every screen credit. The available sources generally provide years, not complete release dates, and some platform filmographies omit identifiable credits.
Catherine Zeta-Jones movies chronologically
| Year | Movie |
|---|---|
| 1990 | 1001 Nights — identified in the available biographical material as an early screen credit and her film debut |
| 1992 | Christopher Columbus: The Discovery — treated separately below because the available evidence identifies it as a television film |
| 1995 | Blue Juice |
| 1996 | The Phantom |
| 1998 | The Mask of Zorro |
| 1999 | Entrapment |
| 2000 | Traffic |
| 2002 | Chicago |
| 2004 | Ocean’s Twelve |
| 2007 | No Reservations |
| 2012 | Rock of Ages |
| 2013 | Side Effects |
| 2016 | Dad’s Army |
Early credits and classification notes
The 1990 and 1992 entries need a little context. The available evidence identifies 1001 Nights as Zeta-Jones’s film debut, while Christopher Columbus: The Discovery is specifically described as a television film. For that reason, they should not automatically be treated as equivalent to the later theatrical-film entries in the list.
The same source material distinguishes feature films from television work and stage performances. It also identifies television-series appearances, including Prodigal Son, but television series are outside this movie-only chronology.
How to interpret this order
This is a year-by-year chronology, not a ranking of the films and not a list of exact premiere dates. The underlying film-credit convention uses the earliest release when dates differ, while several of the available reference pages show only release years.
It is also safer to describe the table as a documented chronology rather than a complete filmography. One platform-hosted filmography is useful for establishing a dated sequence but is explicitly incomplete; it omits identifiable credits, including Traffic and Intolerable Cruelty. Other reference pages provide additional titles and context but do not expose a complete, structured list of every film credit.
So, if you want the quick answer, the principal documented sequence runs from Blue Juice (1995), The Phantom (1996), The Mask of Zorro (1998) and Entrapment (1999) through Traffic (2000), Chicago (2002), Ocean’s Twelve (2004), No Reservations (2007), Rock of Ages (2012), Side Effects (2013) and Dad’s Army (2016), with the earlier 1990 and 1992 credits requiring the classification notes above.